Animation News Wrap 9/2/22

Here’s the cornucopia of animation trades news over the last month. Lots of HBO Max drama…

Emmys Individual Achievement Winners – Netflix almost swept it this year (lots of Arcane wins)
TV Academy Reveals Emmy Winners In Juried Categories

Good take from CNN on how Netflix is changing business models – this explanation is directly related to the changes at Netflix animation
Netflix is not in deep trouble. It’s becoming a media company

Dreamworks sets the Kung Fu Panda 4 Release Date (it’s March 8, 2024)

Love Death and Robots renewed for Season 4

Tubi orders Adult Animated Comedy Series from Julien Nitzberg about drug dealing bears – there’s not a ton of Tubi originals yet, so maybe they will start to have a presence in original animation

AMC shows off some ‘Pantheon’ trailer and key art finally – We have been making this at Titmouse and I haven’t seen much of it, so it’s cool to see how it’s turning out. Some definite Ghost in the Shell vibes.

Streaming views surpass cable for the first time (from Nielsen) – Everyone knew this was coming, so here we are at the crossroads where streaming is beginning to pass cable in scale

Ok, we have to talk about HBO Max here … lots of big changes this last month.

Lots of shows were to be pulled from HBO Max abruptly – 36 titles, with 20 titles being originals

Then we heard about more cuts from HBO Max – including a stack of Batman & WB projects, as well as the JJ Abrams Batman project

Cartoon Network creators then jumped in to blast Discovery’s decision (and handling) on removing these shows from HBO Max…
Fungies creator Stephen Neary “slams” HBO Max
Summer Camp Island creator Julia Potts reacts
Infinity Train creator Owen Dennis calls out HBO Max

So at least after all that, John Oliver called out HBO Max over pulling the series (no clip – not exactly surprising)

Ok that’s enough of that – I’m sure there will be more HBO Max stuff next time.

And closing this out on a lighter note – some footage of the lost American Sailor Moon pilot has been unearthed. It’s great and terrible in all the best ways.

Ok that’s it for this time. Stay frosty.

Animation News Weekly Wrap 7/31

Hi animation friends – trying a new thing this week where I collect some animation news stories from around the trades over the last week and plug it into this easy to quickie read format. Enjoy!

For the Rick and Morty fans – Adult Swim announced the premiere date for Season 6 (I’ll save you the click – it’s September 4)

GDT’s stop motion Pinnochio is looking magical – if you haven’t seen the trailer yet (it’s also below here and it looks incredible)

Good review on Deadline for DC League of Super Pets

And some early weekend BO results for DC League of Super Pets that look positive

And the power of the Minions keep going … Minions Rise of the Gru is the first animated film to pass the $300M mark during the Covid era

South Park is celebrating and doing a 25th anniversary pop up shop + experience that is touring the world! Hollywood date for the experience is set for August 20 (likely in that weird empty lot at Hollywood and Vine they use for pop ups / Halloween mazes)

Sad news – Paul Coker, Rankin/Bass Production Designer and MAD Magazine illustrator has passed away at 93. (Here’s a bonus link to a pinterest board of Coker illustrations)

I’m slightly biased and excited about this news for my friends – Brutus Pink (creators of Big Mouth and Human Resources) have renewed their deal with Netflix through 2026

That’s it for now. Have a great week everyone.

Is TBS Taking a Big Risk on Primetime Animation?

 

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JG Quintel’s Close Enough

Lots of animation is happening all over town in LA right now – largely due to Netflix and Amazon, but also now some significant / worthwhile work is happening at TBS.  Clearly they are investing in animation trying to channel some of the momentum Futurama and American Dad brought to the network.  TBS is launching four new, original animated shows – Final Space, Close Enough, Tarantula and The Cops.  That is a big buy in for a cable network that has not traditionally specialized in animation.

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Olan Rogers’ Final Space

Since these shows are on cable (vs broadcast tv), I’m hoping the execs can let ’em breathe a little, take some risks and try things out.  All things considered, Final Space and Close Enough seem like fairly safe bets.  I’ve seen a few great space show pitches over the years from really talented creators – it’s an area that still feels largely untapped (with the exception of Futurama).  JG Quintel’s show is sort of a family comedy sitcom but grounded in a very JG sort of way.  Both are approachable (despite being a little fringe / weird) and both make sense from a content buy standpoint for TBS.

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Louis CK / Albert Brooks – The Cops

The new Louis CK / Albert Brooks show The Cops is probably the most linear bet out of the group, but knowing Louis CK, it will push some boundaries.  There is not a lot that Louis CK or Albert Brooks does that won’t be doused in social commentary and challenge some status quo nonsense.  Sounds like a lot of Rick and Morty board guys are coming back to Starburns to work on this.  It could definitely be a solid show based on the talent they’ve lined up, but we haven’t seen much from it yet.

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Carson Mell’s Tarantula

Tarantula though – that’s the wild card.  It is created by Carson Mell, who wrote for Silicon Valley, and also is the creator of some really weird / cool animated shorts.  Looks like the series is based on his animated Tarantula shorts he made a few years ago.  It’s about the adventures of a tattoo artist and the other inhabitants of a hotel in the desert.  The clip they showed at SDCC is kinda far out for TBS (in a good way I hope).

In the clip (which is mostly animatic, but has some animation), these guys move around a giant magic mushroom and the psychoactive bits get into their bloodstream triggering a series of trips that seem more at home in a JJ Villard short than an 8pm Fox show.  It’s ambitious and weird and I dig it.

Maybe this means TBS is trying to get into that primetime / Adult Swim hybrid-niche space.  I hope so – there’s room in that area to make more great animation.

Tarantula02.pngWho knows – it’s just a SDCC clip, but it looks like TBS is trying something different, and that’s a good thing.  Even with Final Space and Close Enough, TBS is going after a more indie animation vibe, rather than chasing straight primetime sitcom (Seth / Groening style) animation.

TBS is obviously taking some risks here – on the actual content and making a big four series bet on animation trying to compete with Netflix / Fox / FX / etc.  I hope all these shows do well – I like seeing networks trying new things (and I like seeing friends employed).  It means more gigs and more (hopefully good) animation out in the wild.

Final Space is being made out at Shadowmachine, Close Enough at Cartoon Network Studios, The Cops at Starburns, and Tarantula over at Rough Draft. 

I’ve included links below to the original pilot for Final Space, the SDCC Close Enough trailer, one of the Tarantula shorts (and the SDCC clip if you haven’t seen it).

What do you think about TBS buying all these shows?  Think they have a chance?

Cartoon Network – Apple & Onion

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Apple & Onion is a very funny and heartwarming animated short / pilot I produced on for Cartoon Network Studios with creator George Gendi last year.  Finally this super secret animation was released into the wild online and now you can watch it millions of times!

It’s about two friends, Apple and Onion who are just trying to be good guys and figure out how they fit into the world, but they are clearly out of place in the big city.  Everyone in the world of Apple and Onion are different types of food – I never asked George why, it just kind of works. Continue reading “Cartoon Network – Apple & Onion”